![]() Once you’ve created a mastering setup like this, save it as a template (CWT suffix) so you don’t have to recreate it from scratch next time. I use all these same meter options for the Bus and Hardware outputs. ![]() ![]() classical and jazz).Įnabling Hold Peaks and Lock Peaks is helpful for when you look away for a bit and miss when a peak has happened. You might prefer the -24dB range for projects with more dynamic range than typical pop music (eg. When mastering, I’m more concerned with what’s happening in the upper 12dB than whether there’s noise at -80dB. (If you’re applying more than 6dB of EQ, you probably should rethink your mix.) Also under Options, select Meters / Playback Meter Options, and choose Peak+RMS for an indication of both the peak and average levels, as well as Post Fader and the -12dB meter range option (Screen 2). Click Options / EQ and Plot / Plot Resolution, and change it to 6dB. Screen 2: Sonar’s metering is extremely flexible, making it ideal for mastering.There are also several preferences in the Options menu that I like to change when mastering. #Move multidock in sonar platinum registration#Finally, there’s SSL’s X-ISM ( registration required) to show potential inter-sample clipping, as explained on its download page. Next up is Voxengo’s SPAN plug-in ( This spectrum analyser includes K-System loudness metering, headroom estimation and clipping detection. The first is Gonio3, a phase/correlation VST plug-in from UK Music (download from It displays a correlation meter that indicates a stereo signal’s phase relationship: a correlation of +1 indicates that the left and right channels correlate 100 percent, meaning they’re completely in phase. #Move multidock in sonar platinum free#The final FX Chain module is for analysis, and the tools I use are all free downloads. ![]() This allows for the high average level so common in today’s music, but without interfering too much with dynamics. This ProChannel includes a Console Emulator (again, not something you’d use every time) and the Concrete Limiter to catch any transients that make it past the LP MB. To set the master bus ProChannel to post-FX Rack, right-click on any module header and then choose ‘Post FX Rack’. In particular, the LP EQ can have separate EQ curves for the left and right channels, as does Mid-Sides processing - great for mastering when you want to give a bit more ‘air’ to the left and right components for a wider apparent stereo image, as well as for pulling bass into the centre channel if you’re considering a vinyl release. If you haven’t discovered how great these are, check them out - they’re light-years ahead of the older linear-phase processors. The track output terminates in the master bus. Sonar’s Blue Tubes Stereo Imager is suitable if you don’t push it too far. The FX Rack, which is post-ProChannel, includes a stereo widener if needed. Sometimes I’ll add the Console Emulator Channel afterward to give a little more definition. This is a ‘non-surgical’ tone-shaping mode that recalls the classic Pultec EQ and provides gentle tone control. ProChannel (Console Emulator Bus, Concrete Limiter, FX Chain housing analysis plug-ins).įor the first ProChannel, I usually choose the QuadCurve EQ’s Pure mode.ProChannel (QuadCurve Pure EQ mode, Console Emulator Channel).The audio channel contains your final stereo mix. ![]() The overall signal flow is listed in order processors (in brackets) indicate typical treatment choices. There are many ways to set up Sonar for mastering, but the following, pictured in Screen 1, has worked well for me. There are also some features that actually make Sonar better-suited to mastering than typical two-track audio editors.Ī crucial mastering element is setting up a proper workflow, so let’s start there and then move on to other tips. hiss reduction), add PQ codes, or do DDP exports you’ll still need to ‘accessorise’ Sonar or export your projects to a different program, but Sonar’s toolkit is sufficiently sophisticated to perform the essentials of high-quality single-track mastering. Sonar is a very capable mastering program for this application.Īlthough not a stereo digital editing program like Wavelab or Sound Forge, more and more Sonarians are mastering in Sonar. They say it’s a ‘singles world’ these days - not in reference to dating, but in terms of music being listened to as tracks in a playlist rather than as part of an album. Get your tracks ready for the world with Sonar’s mastering-friendly options. Screen 1: A typical console setup for mastering projects. ![]()
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